by Stacey D'Erasmo
The story of a rock-and-roll comeback, nicely written and filled with convincing detail. D’Erasmo does a masterful job of using small asides to good effect and has a nice feel for quickly sketching distinct places in the midst of a band tour where we’re constantly moving to a new city. What really works here is the world building: Anna Brundage is a convincing minor star and D’Erasmo does a terrific job of sketching the contours of a career, the small triumph of the first-album Whale, the disastrous Bang Bang tour – as well as a performance gone wrong in Hamburg, a rained-out music festival in Latvia, and the crucial distinction between flings with men you’ve scarcely met (which, on tour, is basically everyone you could possibly have a fling with) and sleeping with fans (which, on tour, is pathetic).
Before setting off on this last best chance, the Wonderland tour, Anna had been teaching shop at a private school in Manhattan; whenever failure looms, it manifests as the specter of a hundred little girls with hammers.