Interactive Fiction and Hypertext Fiction
Jeremy Douglass wrestles with one of the apparent limitations of interactive fiction (IF, e.g. Adventure games) and identifies hypertext fiction as a notable counter-example. It's a useful, thoughtful post.
Douglass argues that the underlying puzzle nature of IF is an intrinsic limitation that can only be partly assuaged by careful hinting and skillful writing. Like other IF critics, he ignores the argument I made in "My Friend Hamlet" (Hypertext '01) and repeated with Diane Greco in First Person:
"Tragedy requires that the characters be blind (as we ourselves, at times, are blind), and if you let a sane and sensible reader into the room, everything is bound to collapse. Take Hamlet: it's absolutely obvious that he should go back to school, get roaring drunk, get laid, and await his opportunity. He knows this. Horatio knows this, Ophelia knows this. Even Claudius and Gertrude know -- why else send for his college pals? Nobody can bring themselves to say the words -- that's the tragedy. But what's to stop the reader? Only brute force and error messages ("You can't do that") that call attention to the arbitrary boundaries of the world. If you make Hamlet a game, it has to be rigged.")I'm arguing further that, even if we overcame all these problems, that we're still facing an apparently irreconciliable conflict:
Douglass points out that IF faces inherent mechanical difficulties that may prove intractable. Matteas and Stern have published a useful series of papers that illustrate the complexity of the underlying programming issues. ()