Elizabeth Bear sets out to write a steampunk western, and like her spunky protagonist she’s not going to get shortchanged. We’ve got transformers and airships and submersibles. We’ve got former slaves turned federal marshal, wild Cheyennes with impeccable courtesy, feminist sex workers, a madame who can cuss for England, and a human trafficker with a license for Mad Science. We’ve got some particularly well-observed and affectionate writing about saddle horses. A city and a country are literally rising up from the muck, and it’s not always a pretty process.