by Richard Vine
A clever mystery that hangs neatly on a realistic postmodern peg. Amanda Oliver has been murdered, and her husband, software tycoon and art collector Philip Oliver, has confessed. The problem is that Philip is suffering from early-onset dementia, and while he sincerely believes he did murder his wife, he’s awfully fuzzy on the details. Philip’s life is messy – he had a daughter by wife #1, was divorcing wife #2, and has already proposed to wife #3. Fortunately, Philip’s art dealer has an unexpected flair for detection.