by Herman Wouk
I wanted to revisit this classic in part because I have Wouk’s memoir, Sailor and Fiddler: Reflections of a 100-Year-Old Author, on my stack. In addition, I’ve been struggling all summer (along with Morgan Macri) against the problems of telling a story that requires a large cast, and of course this was Wouk’s specialty.
I remember my surprise on my first reading how the book is much larger than the (wonderful) movie, and how it is far more interested in Ensign Keith than was the film. Queeg, of course, is wonderfully drawn, and it’s interesting that Wouk did not return to that theme in The Winds Of War or The Hope.