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This amiable, expert look at the world of science fiction as it was in the mid-1990s runs from the history and economics of the genre to the unique genre fandom that shapes expectation and reception. I was surprised to see the weight that Hartwell, a consummate insider, accords to the fan phenomenon, which has always defined itself as outsider and — very much unlike Hartwell — anti-literary. Yet the influence is undeniable, and Hartwell shows why that matters. The superb annotated bibliography is helpful.

What I miss here are the sensible discussions about trends and mechanics that Hartwell used to wri...

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I’m working on a book chapter about the challenges of publishing interactive narratives, and this has offered a chance to get Gottlieb’s fine autobiography off the reading stack. Gottlieb started at Simon and Schuster, then led Knopf, and then replaced the legendary William Shawn at The New Yorker. He’s a terrific writer, too. Gottlieb recalls the joke that “all editor”s memoirs basically come down to the same thing: ‘So I said to him, ‘Leo! Don’t just do war! Do peace, too!’” He is not wrong, but it’s a lot of fun anyway. It is fascinating to hear about changes in the book world that a...

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I asked my Twitter followers to suggest some non-fiction books from the past decade that had become proverbial, in the way that Hersey’s Hiroshima and Carson’s Silent Spring were books that everyone knew and that shaped everyone’s conversation. This was one of the suggestions from Mark Paul.

It’s a terrific book, a vivid look at the 2008 collapse and the forces that drove it. The book brightened my commutes, something I greatly needed. It’s very occasionally repetitive, but that’s likely inevitable in a book that necessarily deals with financial derivatives. It certainly makes me furious, which is the intended effect.

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Hernando Colón was the illegitimate son, traveling companion, and biographer of Christopher Columbus. He amassed a vast library, perhaps the last effort in the West to create a library that would contain everything. The remnant of that library still exists, and though many of the books have been lost to time and the Inquisition, we still possess much of the catalog. Colón didn’t have much precedent for how to manage a library of some 15,000 volumes; no one did. The catalogs alone are a fascinating window into the transition for the medieval to the early modern mind.

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A delightful novel about Lou, a sophisticated 13-year-old student who has to do a term paper on teen homelessness. Lou walks over the the train station and interviews a homeless girl, No, who is just a little older and is willing to be interviewed in exchange for a drink or two. The girls get along well. More meeting follow; Lou is something of a loner, and her parents are miserable after the sudden loss of Lou’s infant sister. Lou asks if No can come live with them, and (astonishingly) her parents say, “Oui.”

This is the first book I have read ...

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A fun and fascinating school story set in a college for magicians. In Novik’s world, young magicians are in terrible danger from a host of supernatural beings that want to feast on their magical power. Babies and mundanes are safe, because they’re not very nutritious. Grownups are fairly safe because they’re t0ugh and leathery. But college students have plenty of nutrition, and taste like they’re coated in crunchy sugar shells. Despite lots of wards and precautions, roughly half of each class gets eaten before they graduate.

If the death toll recalls The Hunger Games, this book’s atmosphere is different because its super...

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A collection of fine short stories about life in the US Army during the later years of the occupation of Iraq. Now that the twin wars in Iraq and Afghanistan are over, we can perhaps reflect on how, at great expense, they wrecked the American military and destroyed the standing of the United States across the globe.

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The Good Shepherd, Forester’s WW2 novel which was adapted for the movie Greyhound, is a fine novel. This earlier novel, about a light cruiser on Mediterranean convoy duty in 1942, is propaganda, intended to give people back home a sense of what their menfolk were doing and Why We Fight. Still, it gives an interesting picture of a crew with all its faults and oddities.